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Hamlet as a rich
man's son
factories, assembly lines, everything,
the means need not justify the ends,
surrounded by these familiar sounds,
mothers and fathers to work,
children to schools,
the sheer and young delight
falls into the fading light
like Hamlet's father (ghost)
and his awkward past,
all that's not settled
left for the next generation,
absurd.
in the distance on every hill
the young men pick flowers for mother,
has she returned?
have they forgotten the end?
the oasis of the mind,
remember when they promised us
the spirits were alive,
creating our every minute these voices would whisper,
"simmer sweet knight
listen to the animals
they shiver their own full moons,
each to his own
in a primitive void."
but death's iris is dry desert,
and each such a painful sight,
a coal light recessing
in a forest night,
the conscious effort
is too objective to face,
for every moment of purity lost
to reach these enlightened ends,
we are transformed into Prometheus
as he lies chained to a rock,
a liver every day
for the vultures to steal away,
years of rehearsal time,
yet we still can't get it right.
who is it says death is not sad?
let them step forward onto this stage
and tell me what he or she
has done with their life.
as if close candle-light did not
make one's shadow tall,
as if an audience would not
fill their ego at all,
underneath all our words
voices an instinctive call,
a reminder of days gone past,
never to be lived again.
it is the age old mystery
no codes will break,
no theories will devour,
no document need explain,
there is no prince
on his way,
to ease this indifferent pain,
to wake these minds
from their impossible sleep,
we wait only for the queen
though not written in the scene
to distract us of our fears,
let us leave this drama behind
let us step
down
from
these
deserts
of idleness and remember,
to listen to the children
they are the life we leave behind,
when the stage-lights go dark
the dramas can have their end,
we will truly feel compassion
but only from within.
- Mark
A.Willard, MSII |